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・ Giovanni Maria Galli da Bibiena
・ Giovanni Maria Lancisi
・ Giovanni Maria Luffoli
・ Giovanni Maria Mariani
・ Giovanni Maria Morandi
・ Giovanni Maria Morlaiter
・ Giovanni Maria Nanino
・ Giovanni Maria Quaglio the Elder
・ Giovanni Maria Quaglio the Younger
・ Giovanni Maria Ruggieri
・ Giovanni Maria Sabino
・ Giovanni Maria Scorzuto
・ Giovanni Maria Tamburini
・ Giovanni Maria Trabaci
・ Giovanni Maria Tucci
Giovanni Maria Verdizotti
・ Giovanni Maria Vian
・ Giovanni Maria Viani
・ Giovanni Maria Zaffoni
・ Giovanni Marinelli
・ Giovanni Mario Alessandri
・ Giovanni Mario Crescimbeni
・ Giovanni Marliani
・ Giovanni Marracci
・ Giovanni Marradi
・ Giovanni Marradi (musician)
・ Giovanni Martina
・ Giovanni Martinelli
・ Giovanni Martinelli (painter)
・ Giovanni Martini da Udine


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Giovanni Maria Verdizotti : ウィキペディア英語版
Giovanni Maria Verdizotti

Giovanni Maria Verdizotti was a well-connected writer and artist who was born in Venice in 1525 and died there in 1600.
==Life and work==
As an artist, Verdizotti is mainly remembered for his friendship with Titian, whose pupil he was, and later his secretary from 1556. No painted work can be attributed with certainty to him but, judging from the prints in his "100 Moral Fables" (''Cento favole morali''), his speciality was small landscapes with tiny figures. There is a signed pen and ink drawing by him of "Cephalus and Procris" (Brunswick, Herzog Anton Ulrich-Museum), which resembles Titian's graphic style. Other drawings attributed to Verdizotti are a pen and ink "Landscape with Houses" (Milan, Biblioteca Ambrosiana) and the Titian-like "Study of a Tree" (Madrid, Real Academia de Bellas Artes de San Fernando). He probably also executed the pen and wash drawing of "A Bear Devouring a Rabbit in a Landscape" (Florence, Uffizi), which has as motto ''naturam ars vincit'', a work close in style to the woodcuts that illustrate his fables. Similarly, the supposed ink portrait of Titian (Haarlem, Teyler's Museum) is close to the "Cephalus and Procris".〔''The Concise Grove Dictionary of Art'', Oxford University Press 2002, (online access )〕
Verdizotti's poetic work includes a translation into ottava rima of the second book of the Aeneid (1560) and a chivalric romance, ''Del L'Aspramonte'' (1594). His most celebrated work was the "100 Moral Fables", valued as much for the beauty of his woodprints as for the verse and the interesting choice of subjects. According to Ruth Mortimer,〔''Italian 16th Century Books in the Harvard College Library'', San Francisco CA 1974, (p.523 )〕 he was probably influenced by Gabriele Faerno's ''Centum Fabulae'' (1563), the engravings in which are considered as being by Titian and which Verdizotti may have seen in preparation. Among Verdizotti's fables, 37 of Faerno's subjects do not appear, the rejected texts dealing mainly with men and gods. His preference is for animal fables but he also added the Biblical "The Trees and the Bramble".
In 1597 Verdizotti published a prose "Lives of the Holy Fathers" (''Vite de Santi Padri'') in which he mentioned that he had a canonry at Castelcucco, near Treviso.

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